| ID | Title | Author | Date Submitted |
| 1 | Burning the Interface : artists' interactive multimedia 1992-1998 | Mike Leggett | Jun 17 2004 |
| 2 | A Procedural Model for the Integration of Physical and Cyberspaces in Architecture | Peter Anders | Jun 18 2004 |
| 3 | Principles of Metadesign: Processes and Levels of Co-Creation in the New Design Space | Elisa Giaccardi | Jun 18 2004 |
| 4 | From Multiuser Environments as (Virtual) Spaces to (Hybrid) Spaces as Multiuser Environments: Nomadic technology devices and hybrid communication places | Adriana de Souza e Silva | Jun 20 2004 |
| 5 | Design: interface of contemporary culture | Adriana de Souza e Silva | Jun 20 2004 |
| 6 | Public News Network: Digital Sampling To Create A Hybrid Media Feed | Jack Stenner | Jun 22 2004 |
| 7 | Phase Space Portraits of the Nuestra Señora delos Dolores of Baclayon | Fatima Lasay | Jul 28 2004 |
| 8 | The Problem of Death in Contemporary Lithuanian Art | Dalia Navikaite | Aug 29 2004 |
| 9 | Sounds You Can Touch | Robert J. Gluck | Aug 29 2004 |
| 10 | DESIGN FOR AN INTERCONNECTED WORLD:
HOME LIGHTING AS AN IMMERSIVE INTERACTIVE SYSTEM | Florian Vollmer | Aug 30 2004 |
| 11 | EMERGENT OBJECTS AT THE HUMAN-COMPUTER INTERFACE (HCI): A CASE STUDY OF ARTISTS’ CYBERNETIC RELATIONSHIPS AND IMPLICATIONS FOR CRITICAL CONSCIOUSNESS | Dr. Sherry Lynn Mayo | Sep 4 2004 |
| 12 | Language, Memoru and Volition: Toward an Aesthetics of Computer Arts | Maureen A. Nappi | Sep 6 2004 |
| 13 | aether: an experiment in the phenomenology of reading | Erik Conrad | Sep 12 2004 |
| 14 | A Critical Examination of “Computer Art”:Its History and Application | Nicholas Lambert | Sep 19 2004 |
| 15 | Dr | Keith Armstrong | Sep 21 2004 |
| 16 | Making Games with LEGO: Exploring the Uses of an Active LEGO Baseplate for Building Computer Games as a Learning Activity | Oliver Moran | Sep 21 2004 |
| 17 | Empyrean : Soft Skinned Space | Dr Melinda Rackham | Sep 22 2004 |
| 18 | Electroacoustic Music: Morphological Analysis and Analytical Representation | Pierre Couprie | Mar 6 2005 |
| 19 | Discovering Mixed Reality: inventing design criteria for an action based Mixed Reality | Mette Ramsgard Thomsen | Mar 7 2005 |
| 20 | Expanded Media: Interactive and Generative Processes in New Media Art | Sam Woolf | Mar 7 2005 |
| 21 | Ceremony of Innocence: A Case Study of the Emergent Poetics of Interactive Narrative | Jim Bizzocchi | Oct 4 2004 |
| 22 | Art in the Information Age: Cybernetics, Software, Telematics, and the Conceptual Contributions of Art and Technology to Art History and Aesthetic Theory | Edward Allen Shanken | Oct 13 2004 |
| 23 | Knowledge Visualization: Problems and Principles for Mapping the Knowledge Space | Greg Judelman | Oct 18 2004 |
| 24 | The Application of L-systems and Developmental Models to Computer Art, Animation and Music Synthesis | Jon McCormack | Oct 18 2004 |
| 25 | stories in between: a dissertation | drew davidson | Oct 19 2004 |
| 26 | Erotecha: Electronic Intimacy in the Computer-based Interactive Narrative | Brigid Costello | Oct 25 2004 |
| 27 | Towards an Ecosophical Praxis of New Media Space Design | Dr keith Armstrong | Oct 26 2004 |
| 28 | Punching, Kicking, Falling Back, Falling Down | Kate Chapman | Nov 2 2004 |
| 29 | From Me to Us-a computer generated music installation | Koray Tahiroglu | Nov 4 2004 |
| 30 | De-coding the Digital Revolution: A Critical Approach to the Presentation of the Term in Business Literature at the Turn of the Millennium | Genco GULAN | Nov 5 2004 |
| 31 | The Visual Language of New Media: Towards the Total Surround | Emanuela Zilio | Nov 7 2004 |
| 32 | Virtual Culture and Virtualization of Culture | Daniele Angeli | Nov 9 2004 |
| 33 | The Serendipity of Colliding Multimedia | Markus Norrena | Nov 9 2004 |
| 34 | Good Life Game Prototype. Designing Game Mechanics for Group Interaction. | Markku Lappalainen | Nov 9 2004 |
| 35 | New Images for a New Medium - a case study of SITO Interactive Arts website | Lenara Verle | Nov 12 2004 |
| 36 | The HeUretics of Information: The Death of Rhetoric | Kenneth Feinstein | Nov 12 2004 |
| 37 | ALMOST IMMORTAL: AESTHETIC RITUAL AND BIOLOGICAL MUTATION | Alex Metral | Nov 13 2004 |
| 38 | Reading Engineered Spaces: Bridges as Texts in Modern American Culture | J.N. Nodelman | Mar 7 2005 |
| 39 | La médiation de l'art contemporain | Sylvie Lacerte | Mar 7 2005 |
| 40 | Aesthetics and Hyper/aesthetics: Rethinking the Senses in Contemporary Media Contexts | Melanie Swalwell | Mar 8 2005 |
| 41 | The Kinesfield: a Study of Movement-based Interactive and Choreographic Art | Gretchen Schiller | Nov 14 2004 |
| 42 | The Father in All of Us | Lisa Nigro | Nov 15 2004 |
| 43 | net_work_ed: Simulated Bodies and Objects Intertwined in Cyberplaces and Art Educational Spaces -- Threads of a Critical Digital Pedagogy | Robert W. Sweeny | Nov 15 2004 |
| 44 | The Father in All of Us | Lisa Nigro | Nov 28 2004 |
| 45 | SALIX: Capturiing the essence, experiencee and the evolution of interpretive data sysytems in exocyborgian entities and interpreting into an artform- giving Salix a voice | john sherman lathram lll | Dec 2 2004 |
| 46 | Internal Networks: Telepathy Meets Technology in the Dream Pod | Camille Baker | Dec 4 2004 |
| 47 | Dr | Dr Garth Paine | Dec 13 2004 |
| 48 | Quantum Feminist Mnemotechnics: The Archival Text, Electronic Narrative and the Limits of Memory | Carolyn G. Guertin | Dec 14 2004 |
| 49 | Participatory Media: Visual Culture in Real Time | Daniel Palmer | Dec 19 2004 |
| 50 | In Finity - A dissertation on Inbetween Worlds | A.S. Sajith | Jan 3 2005 |
| 51 | InquirySpace: an Immersive Document in the Style of the 'Opera Reductio' | Kenneth Fields | Jan 3 2005 |
| 52 | Screen and Frame in Painting in the Digital Era | Dr Melina Berkenwald | Jan 10 2005 |
| 53 | Screen and Frame in Painting in the Digital Era | Dr Melina Berkenwald | Jan 10 2005 |
| 54 | Immersive Ideals / Critical Distances | Joseph Nechvatal | Jan 10 2005 |
| 55 | The Reality Effect of Technoscience | Julian Bleecker | Jan 16 2005 |
| 56 | The R.g.b-project | Jacky Sawatzky | Feb 4 2005 |
| 57 | Hypertext-based Art Education: Implications for Liberatory Learning in High School | Pamela G. Taylor | Feb 27 2005 |
| 58 | Protein Sculptures | Julian Voss-Andreae | Mar 5 2005 |
| 59 | Liquid Architectures: Marcos Novak's Territory of Information | Camile A. Silva | Mar 5 2005 |
| 60 | Picasso Seizes Donald Duck | Holly Crawford | Mar 5 2005 |
| 61 | From shadow citizens to teflon stars: cultural responses to the digital actor | Lisa Bode | Mar 5 2005 |
| 62 | Tools, authoritative practices of text, constitution of the digital literature field | Broudoux | Mar 6 2005 |
| 63 | Emotion und ästhetische Erfahrung. Zur Rezeptionsästhetik der Video-Installationen Buried Secrets von Bill Viola. (Emotion and Aesthetic Experience. The Aesthetic Reception of Bill Viola's Video-Installations Buried Secrets.) | Anne Hamker | Mar 7 2005 |
| 64 | A Software-based Knowledge Management System using Narrative Texts | Thomas Rudy McDaniel | Mar 7 2005 |
| 65 | The Machine that Made Science Art: The Troubled History of Computer Art 1963-1989 | Grant David Taylor | Mar 8 2005 |
| 66 | The Swap-O-Matic | Lina Fenequitio | Mar 10 2005 |
| 67 | Bioglyphs: generating images in collaboration with nature's events | Daro Montag | Mar 11 2005 |
| 68 | Crosswise: Sharing Goals, Sharing Time | Tor de Vries | Mar 11 2005 |
| 69 | Art, Art History and Systems-Theory | francis halsall | Mar 12 2005 |
| 70 | Four Quarters of the Earth: A Heuristic-Hermeneutic Approach to World Art | Kathleen I. Kimball | Mar 12 2005 |
| 71 | On Earthquakes (Ueber Erdbeben - Ein Versuch zur Erweiterung seismologischer Darstellungsweisen) | Florian Dombois | Mar 12 2005 |
| 72 | Exploring experiences of global awareness and holistic overview in interactive environments | Michael Hohl | Mar 13 2005 |
| 73 | Interactivity and Reproductivity in Early Video Art. An Art Historical Encounter With a New Medium | Maurice Haak | Mar 14 2005 |
| 74 | Sound Diffusion Using Hand Held, Light Emitting Pen Controllers. | Kenneth Brown | Mar 14 2005 |
| 75 | Caliban Robot: Artificial Stubbornness Evoked through a Shakespearian Character | Annabel Castro Meagher | Mar 14 2005 |
| 76 | Transitive: Immersive Visualization of Real Time Network Transfers | Brenda A. Lopez Silva | Mar 14 2005 |
| 77 | Dark Room Project
| Virginia M Madsen | Mar 15 2005 |
| 78 | Three-dimensional computer animation : Between tradition and artistic innovation | Verónica CAMACHO CAMACHO | Mar 15 2005 |
| 79 | Fantasy Architecture: The Drawing in a Digital Space | Ann Talley | Mar 15 2005 |
| 80 | Design of virtual three-dimensional instruments for sound control | Axel G.E. Mulder | May 15 2006 |
| 81 | Machine Metaphysics: Descartes, the Mechanization of Life, and the Dawn of the Posthuman | Andres Vaccari | May 22 2006 |
| 82 | The sound of friction: real-time models, playability and musical applications | Stefania Serafin | Mar 18 2005 |
| 83 | Between Mnemo and Locus: architecture of virtual spaces, construction of mental spaces | Anja Pratschke | Mar 22 2005 |
| 84 | Singing cells, art, science and the noise in between | Anne Niemetz | Apr 16 2005 |
| 85 | Light Attack | Daniel Sauter | Apr 17 2005 |
| 86 | RESEARCH ARTS: THE INTERSECTION ART, SCIENCE AND TECHNOLOGY AS A FIELD OF KNOWLEDGE AND ACTION | Stella Veciana | Apr 29 2005 |
| 87 | Relations about Art and Science at Museums and Science Centres from 1969 until 2000 | Maria do Rosário de Assumpção Braga | Apr 29 2005 |
| 88 | Blogviz: Mapping the dynamics of Information Diffusion in Blogspace | Manuel Lima | May 11 2005 |
| 89 | A 21st Century Flâneur : Landscape, Embodiment, and Photography | Meggan L. Gould | May 17 2005 |
| 90 | Cartographies of the Identity: six itineraries to reflect about artistic and communicative practices in the digital era | Gemma San Cornelio Esquerdo | May 27 2005 |
| 91 | The Spatial Narration Model | Blanca Montalvo Gallego | May 30 2005 |
| 92 | Micropolitical Machines | Catherine D'Ignazio | May 31 2005 |
| 93 | Stranger's images: Net Art and an-other representation | Maria Victoria Guglietti | May 31 2005 |
| 94 | Hypermedia Design on the Internet: A semiotic analysis of the on line communication patterns | Marcelo Luis Barbosa dos Santos | May 31 2005 |
| 95 | A Unitary Model of Intense Aesthetic Experience in Art and Science | Melvin L. Alexenberg | May 31 2005 |
| 96 | Designing Multi-sensory Displays for Abstract Data. | Keith V. Nesbitt | Jun 2 2005 |
| 97 | Applications of Generative String Substitution Systems in Computer Music | R. Luke DuBois | Jun 9 2005 |
| 98 | From the Subject of Anatomy to the Anatomy of the Subject | Raphael Cuir | Jun 12 2005 |
| 99 | Video Activism in the Italian Centri Sociali. A Visual Ethnography | Alessandra Caporale | Jun 30 2005 |
| 100 | Hypermedia Systems: The Creation and Interpretation of Concept-based Art | Dr Dew Harrison | Jul 13 2005 |
| 101 | From the Dark Room. Portuguese Video Art. | Tânia Saraiva | Jul 23 2005 |
| 102 | The role of Internet in the culture emergent from the present world (1945-2003). Interactive installations, Net.Art and hypertexts on line as studies of case | Joan Campàs Montaner | Jun 17 2005 |
| 103 | Virtual space model for industrial design | Gianluca Mura | Jun 27 2005 |
| 104 | The Structure, Perception and Generation of Musical Patterns | M. Nyssim Lefford | Jul 20 2005 |
| 105 | It's in Your Eyes - Gaze Based Image Retrieval in Context | Lasse Scherffig | Jul 21 2005 |
| 106 | OPERATING IN MEDIA REALITY - FOR A CRITICAL PRACTICE IN INTERACTIVE IMAGES | Samuel Bianchini | Jul 25 2005 |
| 107 | Excessive Economies: information and symbolic exchange | David Teh | Aug 7 2005 |
| 108 | Coloured Universe and the Russian Avant-Garde.Matiushin on Colour Vision in Stalin's Russia 1932 | Margareta Tillberg | Aug 11 2005 |
| 110 | The Natural History Diorama's Trace in NatureCulture | Max Liboiron | Aug 29 2005 |
| 111 | Improvisatory Music and Painting Interface | Hugo Solís García | Aug 30 2005 |
| 112 | Designing for Emotions - arguments for an emphasis on affect in design | Martin Pichlmair | Aug 30 2005 |
| 113 | Now and There - a Tangible Weather Channel | Yu-Cheng Hsu | Aug 30 2005 |
| 114 | Tanya Sheehan | Tanya Sheehan | Sep 19 2005 |
| 115 | Tanya Sheehan | Tanya Sheehan | Sep 19 2005 |
| 116 | Negotiating the Space Between Body and Machine | Rachel Beth Egenhoefer | Sep 30 2005 |
| 117 | European Avant-garde: Art, Borders and Culture in Relationship to Mainstream Cinema and New Media | Lanfranco Aceti | Oct 2 2005 |
| 118 | Situated Representation | Michel van Dartel | Oct 4 2005 |
| 119 | The [hid] Toolkit for Pd | Hans-Christoph Steiner | Oct 11 2005 |
| 120 | Thought, Expression and Hypermediacy | Carlos Alberto Augusto | Apr 2 2006 |
| 121 | Cyborg and Human: when a postmodern myth meets humanism | YEUNG Yang | Apr 13 2006 |
| 122 | The dimension of the enchantment: scenography and digital technologies | Regina Cunha Wilke | May 14 2006 |
| 123 | REYNALDO LAGASCA DURAN | REYNALDO LAGASCA DURAN | Nov 5 2005 |
| 124 | Virtual Community Interfaces | Felipe Cesar Londoño L. | Dec 4 2005 |
| 125 | Digital Lutherie: Crafting musical computers for new musics’ performance and improvisation | Sergi Jorda | Jan 7 2006 |
| 126 | Transient communication systems: A system-theory reading of interactive digital installation art | Falk Heinrich | Jan 13 2006 |
| 127 | Reynaldo Lagasca Duran | Reynaldo Lagasca Duran | Jan 20 2006 |
| 128 | Evolving Performance Control Systems for Digital Puppetry | Dr Andrew Joseph Alexander Gildfind | Feb 10 2006 |
| 129 | Virtual theatres | Clarisse Bardiot | Mar 1 2006 |
| 130 | Albatross : a metaphor for vision & interplayed ideas | ilias koen | Mar 1 2006 |
| 131 | reIMAGing SPlACE | Christine Goldbeck | Mar 2 2006 |
| 132 | Playtime in the White Cube - game art: between interactive art and video games | Andrew Hieronymi | Mar 2 2006 |
| 133 | The Delegation of Perception (DOP) | Monika Jaeckel | Mar 3 2006 |
| 134 | Real-Time Metaphorical Visualization of Multi-Dimensional Environmental Data | Eric Aley | Mar 9 2006 |
| 135 | Computer graphics – aesthetic experiments between two cultures | Christoph Kluetsch | Mar 14 2006 |
| 136 | The Promise of Perfection: A Cultural Perspective on the Shaping of Computer Simulation and Games | Jan Van Looy | Mar 17 2006 |
| 137 | Connective Tissue: Skin as Medium of Embodiment and Transcendence from the Baroque to the Posthuman | Jenny, Barbara Rita | Mar 19 2006 |
| 138 | From Le Musee des Sciences to the Science Museum: fifteen years of evolving methodologies in the science/art interface | Martha Fleming | Mar 23 2006 |
| 139 | assise entre deux chaises | Paule Bezaire | Mar 27 2006 |
| 142 | Art of Women: The Depression, Labor, and War | Hatice Brenton | Mar 29 2006 |
| 143 | New Storytelling Machines: Emergent Theatre and Digital Technologies | Joe Wachs | Mar 29 2006 |
| 144 | The Tree of Art. A Trans-sensorial and Intersubjective Matrix for a Non- visual Art and for the Silence of the Artistic I. | Cristina Miranda de Almeida | Mar 29 2006 |
| 145 | Seeing Angels and the Spiritual in Film - An Interdisciplinary Study of a Sensuous Experience | Martha Blassnigg | Mar 30 2006 |
| 146 | KinAesthetic Movement Interaction - Designing for the Pleasure of Motion | Jin Moen | Apr 7 2006 |
| 147 | Mimesis as the Representation of Types: The Historical and Psychological Basis of an Aesthetic Idea | Michael Ranta | Apr 10 2006 |
| 148 | The Implications for Artistic Expressions and Representations of corporeality of the Experimental Techniques of Biomedical Engineering | Patricia L. Adams | May 18 2006 |
| 149 | Extremities of the Video | Christine Mello | May 29 2006 |
| 150 | Glocal Vagabondage: Nomadism as a Tactical Use of Information and Communication Technology | Valeska K. Buehrer | May 30 2006 |
| 151 | Videogames: toys of the posthuman | Roger Tavares (Rogério Jr. Correia Tavares) | Jun 15 2006 |
| 152 | Visualising Boolean Set Operations: Real & Virtual Boundaries in Contemporary Site-Specific Art | Eugenia Fratzeskou | Jun 19 2006 |
| 153 | Voice Interfaces in Hypermediatic Environments | Martha Carrer Cruz Gabriel | Aug 18 2006 |
| 154 | Voice Interfaces in Hypermediatic Environments | Martha Carrer Cruz Gabriel | Aug 21 2006 |
| 155 | Aesthetics, Writing, Networked Computers | Joerg Mueller | Aug 25 2006 |
| 156 | Structural Constellations: Excursus on the drawings of Josef Albers c. 1950–1960 | Anthony Auerbach | Aug 27 2006 |
| 157 | AFFECTS: Intermedial Images between Art, Philosophy, and Science | Julainne S. Sumich | Aug 28 2006 |
| 158 | This Might Be a Game: Ubiquitous Play and Performance at the Turn of the Twenty-First Century | Jane Evelyn McGonigal | Aug 30 2006 |
| 159 | Gaming in Art | Phillipa (Pippa) Stalker | Sep 5 2006 |
| 160 | search | Ayah Bdeir | Sep 5 2006 |
| 161 | Inhabited Content: An exploration into the role of the viewer through the realisation of In Conversation and other works. | Susan Collins | Sep 9 2006 |
| 162 | EVIDENCE OF PHYSIOLOGICAL DISRUPTION AND EFFECTS OF IVERMECTIN IN JUVENILE ATLANTIC SALMON (Salmo salar L.). | Francisco Ucan-Marin | Sep 12 2006 |
| 163 | Understanding | So-young Park | Sep 14 2006 |
| 164 | Re-situating Performance Within The Ambiguous, The Liminal, And The Threshold: Performance Practice Understood Through Theories Of Embodiment | Franziska Schroeder | Oct 26 2006 |
| 165 | Aquabatics as new works of Live Art | Sarah Jane Pell | Nov 6 2006 |
| 166 | LIVE CINEMA LANGUAGE AND ELEMENTS | Mia Makela | Nov 20 2006 |
| 167 | Interactive Technologies for the Public Sphere: Towards a Theory of Critical Creative Technology | Dr. Pamela Jennings | Dec 28 2006 |
| 168 | MEMORY-CRAFT: THE ROLE OF DOMESTIC TECHNOLOGY IN WOMEN’S JOURNALS | Tammy Powley | Dec 29 2006 |
| 169 | Modernity and the scientific uses of design: A critical investigation in the notion of art and style of the artificial with special reference to the human antiquity controversy 1858-1908 | Dr Assimina Kaniari | Dec 29 2006 |
| 170 | Collaboration in Sonic Design: frameworks for designing interactive sound environments | Jeremy Yuille | Dec 30 2006 |
| 171 | Landscape Denatured: Digitizing the Wild | Eric Kabisch | Jan 2 2007 |
| 172 | Expressive Processing: On Process-Intensive Literature and Digital Media | Noah Wardrip-Fruin | Jan 4 2007 |
| 173 | Generative Music and Cellular Automata | David M Burraston | Jan 18 2007 |
| 174 | Mathematical Sculpture: Definition, Backgrounds in History of Art, Development, Evolution Prospects and Classification base on Mathematical Concepts | Ricardo Zalaya Báez | Feb 21 2007 |
| 175 | Atmospheric Architecture: 'outSIDEin' | Maja Petric | Feb 23 2007 |
| 176 | Fields of Interaction: From Shadow Play Theatre to Media Performance | Aleksandra Dulic | Mar 5 2007 |
| 177 | Telepresence: interaction and interfaces | Yara Rondon Guasque Araujo | Mar 29 2007 |
| 179 | Boundary Expeditions: Strategies for Creative Research at the Interface of Art and Life Science | Gabriel Harp | May 10 2007 |
| 180 | Travels in Intertextuality: the autopoetic identity of remix culture | Joel Anthony Flynn | May 15 2007 |
| 181 | This is not here: Connectedness, remote experiences and immersive telematic art. | Michael Hohl | Mar 11 2007 |
| 182 | Improve - exploring modes of listening | Richard Widerberg | May 22 2007 |
| 183 | Organizing Sound with Circuit-Bending and Data Sonification | Joni Lyytikäinen | May 23 2007 |
| 184 | CAS - Collaborative Artwork System | Brenda Castro | May 23 2007 |
| 185 | Virtual Reality for Cultural Heritage Applications | Meehae Song | May 31 2007 |
| 186 | COLLECTIVE SELF-PORTRAIT: Poetics of Opening to the Spectator in the [De]Construction of a Collective Identity. AUTO-RETRATO COLETIVO: Poéticas de Abertura ao Espectador na [Des]Construção de uma Identidade Coletiva. | NARDO GERMANO | Jun 2 2007 |
| 187 | PARABOLA-IMAGO: Creative Transmutations between Verbal and Visual Signs. PARABOLA-IMAGO: Transmutações Criativas entre o Verbal e o Visual. | Agnus Valente | Jun 2 2007 |
| 188 | Teaching Performance in the Digital Age: Computerized Technologies, Improvisational Play Techniques and Interactive Learning Processes | Kathryn T Farley | Jun 21 2007 |
| 189 | Frames | Ethan Ham | Jun 25 2007 |
| 190 | Josef Albers’s Interaction of Color from Paper to Pixels: A Physical and Neuropsychological Analysis | Mariah Elizabeth Klaneski | Jun 29 2007 |
| 191 | Bioneering: Hybrid Investigations of Food | Lisa Tucker | Jun 29 2007 |
| 192 | In Silico, vida artificial | Florence Gouvrit Montaño | Jul 31 2007 |
| 193 | skin | Helen-Nicole Kostis | Jul 31 2007 |
| 194 | Critical Reflection in a Digital Media Artwork - Playas: Homeland Mirage | Jack Stenner | Aug 13 2007 |
| 195 | The Cinema and its Spectatorship: The Spiritual Dimension of the 'Human Apparatus' | Dr. Martha Blassnigg | Nov 14 2007 |
| 196 | Practice of Invitation - Art and meaningful participation | Markuz Wernli Saitô | Dec 1 2007 |
| 197 | Your Divided Attention: Ambient Media Art and Looking Sideways | Brett Phares | Jan 20 2008 |
| 198 | Creating Creativity | Heather Dewey-Hagborg | Feb 19 2008 |
| 199 | Desiring Machinations of Matertekhnologi | Kelly Andres | Apr 30 2008 |
| 200 | Designing Multisensory Interac | Christina Heidecker, MA | May 2 2008 |
| 201 | Practice of Invitation - Art and meaningful participation | Markuz Wernli Saitô | Dec 1 2007 |
| 202 | The Human-Digital Devide: The application of Rapid Prototyping and Haptic technology as Industrial Design tools for senorally rich interaction | J.A.Self | Dec 2 2007 |
| 203 | sensate skins: Unfolding an affective, responsive aesthetics | Dennis Humphrey | Dec 11 2007 |
| 204 | A planetary myth: exploring hypermedia | Cláudia Martin Nascimento | Dec 12 2007 |
| 205 | Opera in the Age of Media | Jelena Novak | Dec 12 2007 |
| 206 | Encouraging the Expression of the Unspeakable: Influence and Agency in a Robotic Creature | Nicholas A Knouf | Dec 14 2007 |
| 207 | An enactive approach to digital musical instrument design | Newton Armstrong | Dec 14 2007 |
| 208 | Towards Autonomous Agents for Live Computer Music: Realtime Machine Listening and Interactive Music Systems | Nicholas Mark Collins | Dec 15 2007 |
| 209 | Creativity and AI: A Conceptual Blending Approach | Francisco C Pereira | Dec 18 2007 |
| 210 | The Paradox of the Posthuman in Science Fiction/Techno-Horror and Visual Media | Julie Clarke | Dec 18 2007 |
| 211 | Patterning:The Informatics of Art and Fashion | Daria Dorosh | Dec 18 2007 |
| 212 | Artificial Intelligence and Art | Penousal machado | Dec 19 2007 |
| 213 | Collaboration in Sonic Design: Frameworks for Designing Interactive Sound Environments | Jeremy Yuille | Dec 20 2007 |
| 214 | Compositional Strategies in Electroacoustic Music | Jorge Rodrigo Sigal Sefchovich | Dec 22 2007 |
| 215 | "Tea House" Vending Machine | Jing Zheng | Dec 24 2007 |
| 216 | The enigma of the dancing pancha-loha (five metal) icons: archaeometallurgical and art historical investigations on south Indian bronzes’ | Dr Sharada Srinivasan | Dec 27 2007 |
| 217 | WORLD SENSORIUM: The THEORY, PRACTICE and SIGNIFICANCE of THE WORLD SOCIAL OLFACTORY SCULPTURE | GAYIL NALLS | Dec 31 2007 |
| 218 | Fragile Virtuosity: The Human Voice at the Center of Performance and Technology | Michelle Kasprzak | Jan 1 2008 |
| 219 | Samuel Beckett y el arte radiofonico | Luz María Sanchez Cardona | Jan 9 2008 |
| 220 | Your Divided Attention: Ambient Media art and Looking Sideways | Brett Phares | Jan 20 2008 |
| 221 | SignSpace. Digital Media in Study Environments: the Case of Computer Art | Susanne Grabowski | Dec 31 2007 |
| 222 | Score Following: An Artificially Intelligent Musical Accompanist | Anna Jordanous | Jan 8 2008 |
| 223 | The Cinema and its Spectatorship: The Spiritual Dimension of the 'Human Apparatus' | Dr. Martha Blassnigg | Jan 22 2008 |
| 224 | The Culture and Phenomena of Cineclubs during Sixties in Yugoslavia and Influence of New Tendencies on GEFF Festival | Tomislav Brcic | Mar 7 2008 |
| 225 | Processpatching, defining new methods in aRt&D | ANne NIgten | Apr 21 2008 |
| 226 | ocean_v1 | Wolf Nkole Helzle | Apr 29 2008 |
| 227 | The InterHarmonium : An Investigation into Networked Musical Applications and Brainwaves | Andrew Brouse | Apr 29 2008 |
| 228 | particle activism | anjali srinivasan | May 3 2008 |
| 229 | A World Exhilarating and Wrong | Antoinette LaFarge | May 5 2008 |
| 230 | Do “Leia, é divertido” ao “Ago | Monique Vandresen | May 9 2008 |
| 230 | Utopia of Aesthetic Technology | hyunkyoung cho | Mar 11 2010 |
| 231 | Musical Expression in Performance | Ju-Lee Hong | May 18 2008 |
| 234 | Exploring the experience in everyday pedestrian routes | Evdoxia Christina Malisianou | Jun 24 2008 |
| 235 | Synthetics: an Archaeology of the Electronic Image in Australia, 1955-1975 | Stephen Jones | Jun 24 2008 |
| 236 | Optimal Design of Water Distribution Networks Using Harmony Search | Zong Woo Geem | Jun 24 2008 |
| 237 | The Ubiquity of New Media Forms Allows for More Pervasive Video Art to Occur: a look at new experimental documentary and its roots in consumer practices and experimental movements. | Nicole Rademacher | Jun 24 2008 |
| 238 | The Neighborhood Network Watch | Emery Caleb Martin | Jun 28 2008 |
| 239 | Dynamic Variations | Frederick H. Leighton | Jun 30 2008 |
| 241 | Rain Remediation | Anney Bonney | Jun 30 2008 |
| 242 | Knock | Kyveli Vezani | Jun 30 2008 |
| 243 | The Sublime in Interactive Digital Installation: An analysis of three artworks: Listerning Post, Translator II: Grower, The Cloud Harp | Tegan Bristow | Jul 3 2008 |
| 244 | Digital Wheel Art | Younghyun Chung | Jul 3 2008 |
| 245 | Digitalism in Contemporary Western Painting from the 1960s till Today, Analytical Study | Mohrah H. Sakr | Jul 15 2008 |
| 248 | UTERUS THEREFORE COSMOS: Hybridations of Media, Systems and Poetics of an Interactive Sky-Art. - ÚTERO portanto COSMOS: Hibridações de Meios, Sistemas e Poéticas de um Sky-Art Interativo. | AGNUS VALENTE | Aug 17 2008 |
| 249 | Glucose, wireless chat for local communities | Noah Shibley | Sep 4 2008 |
| 250 | Imagens e sons em loop: tecnologia e repetição na arte / Images and sounds loops: technology and repetition in art. | Aline Couri Fabião | Sep 15 2008 |
| 251 | New Media Art management | Danijela Mandušic | Sep 17 2008 |
| 252 | Reconfiguring Space | Paul Thomas | Sep 20 2008 |
| 253 | Artefacts, Technicity and Humanisation: industrial design and the problem of anoetic technologies | Stephen James Thompson | Sep 25 2008 |
| 255 | What are the metaphoric and spatial implications of a paranoid technological gaze? | Martha Patricia Niño Mojica | Oct 15 2008 |
| 256 | COLOR in Black and White; An investigation of Vividness in Color and in Architecture | jack rees | Nov 6 2008 |
| 257 | Creating order in the ceaseless flow: The discursive constitution of the radio spectrum | Zita Joyce | Dec 18 2008 |
| 258 | Drawing as coming to know: how is it that I know I make sense of what I do? | Patricia Cain | Dec 4 2008 |
| 259 | may the mice bite me if it is not true | verena kaminiarz | Jan 26 2009 |
| 260 | LISTENERS AND IMAGINATION: A QUATERNARY FRAMEWORK FOR ELECTROACOUSTIC MUSIC LISTENING AND ACOUSMATIC REASONING | SUK-JUN KIM | Feb 3 2009 |
| 261 | Biomorphic Aggregator | Carlos Castellanos | Feb 5 2009 |
| 262 | Out of Order: Explorations in Digital Materiality | Susan Ballard | Feb 19 2009 |
| 263 | Transparency, Cognition and Interactivity: Toward a New Aesthetic for Media Art | Brigitta Zics | Mar 3 2009 |
| 264 | Theory and Practice of Physical Modeling for Musical Sound Transformations: An Instrumental Approach to Digital Audio Effects Based on the CORDIS-ANIMA System | Alexandros Kontogeorgakopoulos | Mar 31 2009 |
| 265 | Surrogate Self | Peter W. Coppin | Apr 4 2009 |
| 266 | Towards a Species Songbook: Illuminating the Vocalisations of the Australian Pied Butcherbird (Cracticus nigrogularis) | Hollis Taylor | Apr 16 2009 |
| 267 | Iconicity and Network Thinking in Picasso's Guernica: A Study of Creativity Across the Boundaries | Chiara Ambrosio | Apr 18 2009 |
| 268 | Becoming Bird: Sound, Image, Movement | B. Lea Cox | Apr 18 2009 |
| 269 | THE PHYSIOLOGY OF CREATIVE EXPRESSION: RESEARCH AND PRACTICAL APPLICATIONS | Karel Sloane-Boekbinder | Apr 19 2009 |
| 271 | EXPERIMENTAL ARCHITECTURES: Contemporary Creative Practices. | Nuno Varela | Apr 28 2009 |
| 272 | Designing for Delight: The Role of Wonder, Discovery, Invention & Ingenuity in Exhibit Design | Marti Louw | May 11 2009 |
| 273 | Beyond Stereotypes: Finding Highly Nuanced Ways of Working with Consumers, Users, and Citizens | Tarek A. Fahmy | May 16 2009 |
| 274 | Ubiquity and Fluidity | Rob La Frenais | May 18 2009 |
| 275 | Transformation of Art and Science within the Context of Subjectivity and Objectivity in the Postmodern Period | Enis Âli Yurtsever | May 19 2009 |
| 276 | new media art | Tomás Laurenzo | Jun 1 2009 |
| 278 | THE SCREEN - operativity of a device in the territory of contemporary artistic practice | Maria Mire | Jun 7 2009 |
| 279 | Growing Semi-Living Art | Ionat Zurr | Jun 18 2009 |
| 280 | On the Couch - Capturing Audience Experience. A Case Study on Paul Sermon's 'Telematic Vision' | Rolf Wolfensberger | Jun 19 2009 |
| 281 | Art and Architectural Design in 3D User-Generated-Content Virtual Worlds: A Case Study on Second Life® | Umut Burcu Tasa | Jun 26 2009 |
| 282 | The Experience of Interactive Art: A Curatorial Study | Elizabeth Muller | Jun 29 2009 |
| 283 | "Suggested Sequence of Infection...": A Quantitative Artifact | Sarah Lowe | Jun 30 2009 |
| 284 | Machinima Fictions: a do-it-yourself practice to produce narrative movies from video games. | Ricardo Cedeño Montaña | Jul 1 2009 |
| 286 | Mutations of Pastness: Time, Cinema, Ontology | Jenna Pei-Suin Ng | Aug 6 2009 |
| 288 | The Implicit Body: understanding interactive art through embodiment, and embodiment through interactive art | Nathaniel Stern | Oct 17 2009 |
| 289 | Perceiving Experience: Accounting for the role of the audience in the construction of pervasive and locative artworks | Christopher James Fry | Nov 11 2009 |
| 290 | fieldwork/fieldwalking: art, sauntering and science in the walkingcountry | Perdita Phillips | Dec 7 2009 |
| 291 | New media art in Central and Eastern Europe in the 2000s | Agnieszka Pokrywka | Dec 29 2009 |
| 292 | Rhythmic Digitality and the Modulations of Perception | Eleni Ikoniadou | Dec 29 2009 |
| 293 | The Ear of the Beholder: Ecology, Embodiment and Complexity in Sound Installation | Dr Tom Davis | Dec 31 2009 |
| 294 | DECOMPOSITIONS – Chance Operations in Sound and Art | Gil Kuno | Dec 31 2009 |
| 295 | Expressive Sound Synthesis for Animation | Cécile Picard-Limpens | Jan 6 2010 |
| 296 | Saving Metropolis: Body and City in the "Metropolis" Tales | Lawrence Bird | Jan 8 2010 |
| 297 | Designing a Deaf culture specific web site | Suvi Kitunen | Jan 18 2010 |
| 299 | Visual Imagery and Concept Formation About Environmental Issues Through Creative Photography | Iris Bergmann | Mar 2 2010 |
| 300 | Utopia of Aesthetic Technology | hyunkyoung cho | Mar 11 2010 |
| 301 | An exploration of a diversity of vision in digital art projects in relation to issues of engagement | sonja van Kerkhoff | Mar 23 2010 |
| 302 | Delineating Disease: a system for investigating Fibrodysplasia Ossificans Progressive | Lucy Lyons | Mar 26 2010 |
| 304 | Experiences from Designing a Wearable Interface For an Interaction through Breathing | Anna Salmi | May 23 2010 |
| 306 | Music of the Spheres – From Prototyping to Product Realization | Matti Luhtala | May 23 2010 |
| 307 | A practice-informed critique of technological posthumanism and its ideologies | David Cecchetto | Jul 7 2010 |
| 308 | Photography as the Evidence | Ana Peraica | Jul 10 2010 |
| 309 | Art for Environment, Art for Sustainability: The Art/Science Divide and the Role of Art in Environmental Discourse | Emma Arnold | Aug 5 2010 |
| 312 | OBJECTS OF CULTURE: COLLECTIONS OF SCIENCE AND TECHNOLOGY IN ENGLAND 1800-1880 | ANASTASIA FILIPPOUPOLITI | Sep 3 2010 |
| 313 | Realtime and Accurate Musical Control of Expression in Voice Synthesis | Nicolas d'Alessandro | Sep 8 2010 |
| 314 | EXPERIMENTAL CINEMA IN THE AGE OF BINARY DATA: THE DIGITAL ALTERNATIVE TO THE CELLULOID IMAGE | Robert Daniel Flowers | Sep 24 2010 |
| 315 | The Role of Sound in the Making of a Sense of Place in Real Virtual and Augmented Environments | Gokce Kinayoglu | Oct 7 2010 |
| 316 | A Portfolio of Original Compositions | Orestis Karamanlis | Oct 9 2010 |
| 317 | Transforming Realities: integrated coastal zone management, sustainability, and connective aesthetics | Tanja Geis | Nov 4 2010 |
| 319 | Reversed Remediation. How Art Can Make One critically Aware of the Workings of Media | Saskia Korsten | Dec 6 2010 |
| 320 | Nuclear Tycoon: Designing Simulation Rhetoric for a Persuasive Game | Miska Natunen | Jan 13 2011 |
| 321 | Iris - a circular polyrhythmic music sequencer | Viljo Malmberg | Jan 13 2011 |
| 322 | The Absent Peer - non-users in social interaction design | Sebastian Greger | Jan 13 2011 |
| 323 | UNSTABLE TERRITORIES OF REPRESENTATION: Architectural Experience and the Behaviour of Forms, Spaces and the Collective Dynamic Environment | Sana Murrani | Feb 9 2011 |
| 324 | A time phenomena study based on tabletop interaction | Carles Sora i Domenjó | Feb 21 2011 |
| 325 | Intentional Systems and the Artificial Intelligence (AI) Hermeneutic Network: Agency and Intentionality in Expressive Computational Systems | Jichen Zhu | Feb 26 2011 |
| 326 | Rendering Life, Refiguring Diversity from the Highlands of New Guinea | Laura Cassidy Rogers | Mar 15 2011 |
| 327 | The Search for a Third Way of Curating New Media Art: Balancing Content and Context In and Out of the Institution | Sarah Cook | Mar 17 2011 |
| 328 | Novel Methodologies for Developing Medical and Scientific Animated Narrative | Joseph William Brock | Mar 18 2011 |
| 329 | Beyond the Swatch: How can the Science of Materials be Represented by the Materials Themselves in a Materials Library? | Zoe Laughlin | Mar 23 2011 |
| 330 | Ambivalent Animal | Geoffrey Thomas | Mar 25 2011 |
| 332 | The Sensorial Invisibility of Plants: An Interdisciplinary Inquiry through Bio Art and Plant Neurobiology | Laura Cinti | Apr 12 2011 |
| 333 | Dynamic Systems Aesthetics of Interactive Media in David Rokeby’s The Giver of Names | Tabitha Minns | Apr 21 2011 |
| 334 | Potentials of data sonification in visual art: Sonifying the compArt database | Tobias Hildebrandt | Apr 30 2011 |
| 335 | Aesthetic Complexity: Practice and Perception in Art & Design | Guy Birkin | May 10 2011 |
| 336 | Latent State: a theoretical and practical study of Live Cinema | Andres Colubri | May 15 2011 |
| 337 | Antarctic animation: gestures and lines describe a changing environment | Dr Lisa Roberts | May 16 2011 |
| 338 | mixed reality art and the graphical user interface | Ian Gwilt | May 23 2011 |
| 339 | METRICS AND IMAGES IN THE THEATER-EDUCATIONAL SYSTEM "TECHNOLOGY OF FORMATION” AND THEIR APPLICATIONS | Anelia Hristova Grigorova | May 30 2011 |
| 340 | Genetic art and Recombinants: Introns Non-code and the Proto-animate Condition | Andre Brodyk | Jun 4 2011 |
| 341 | MINDtouch - Ephemeral Transference: ‘Liveness’ in Networked Performance with Mobile Devices | Camille BAKER | Jun 6 2011 |
| 342 | Virtual Reality Applications in Television Scenes | Sharif El-Sayed Sharif | Jun 9 2011 |
| 344 | Play in Digital Media Art: Interaction, Interfaces, Subversion | Laetitia Wilson | Jun 15 2011 |
| 345 | 4, 3, 2, 1, ZERO: Light art until today – An experiment on a historical analysis | Jana Wedekind | Jun 29 2011 |
| 346 | "Music to be seen". The Diatope (1978) by Iannis Xenakis | Eleni Michaelidi | Jul 15 2011 |
| 347 | The Grammar of New Media. Descriptive Metadata in Database Archives for Media Art. | Nina Wenhart | Jul 24 2011 |
| 349 | Neural Networks In New Media Art | Tim Barrass | Aug 16 2011 |
| 350 | Structuring Somnolence: sleep science technology as a medium for drawing with the body at rest | Lisa Carrie Goldberg | Aug 17 2011 |
| 351 | Time and space compression in cyberspace art | Avi Rosen | Aug 23 2011 |
| 352 | ART INTERNET INTERACTION | Avi Rosen | Aug 23 2011 |
| 353 | Art after the Algorithmic Revolution: A Semiotic Approach to Digital Art | Isabella Lomanto | Aug 24 2011 |
| 354 | The Phenomenological Impact of Interface on the Analysis of Digital Music and Sonic Art | Michael Austin | Sep 1 2011 |
| 355 | Situated Networks: in [re]search of the public | T. F. Tierney | Sep 4 2011 |
| 356 | Poetics of the Interface: Creating Works of Art That Engage in Self-Reflection | Miguel Santos | Sep 11 2011 |
| 357 | Transactional Arts - Art as the Exchange of Values and the Conversion of Capital | Daniela Alina Plewe | Sep 20 2011 |
| 358 | Trans-action: an actor-network approach to interactivity in the visual arts | Mark Cypher | Oct 22 2011 |
| 359 | An Experimental Research into Inhabitable Theories | Claudia Westermann | Oct 28 2011 |
| 360 | The Representation of the Monstrous Feminine in the Selected Works of C.S. Lewis, Roald Dahl and Philip Pullman (PhD thesis module 2.1) | Wing Bo TSO | Nov 1 2011 |
| 361 | Remediation by Inspiration: Artist-driven models for Environmental Cleanup | Jessica Fain | Nov 10 2011 |
| 362 | Embodied Composition. Treatment and Meaning of Physical Object in Experimental Music and Sound Art | Svetlana Maras | Dec 12 2011 |
| 363 | I Move In Decades | Ellen Pearlman | Dec 12 2011 |
| 364 | Designing Fabric Interactions. A Study of Knitted Fabrics as an Electronic Interface Medium | Ramyah Gowrishankar | Dec 12 2011 |
| 365 | Fulldome Content Production. A Bricoleur's Approach. | Jonathan Cremieux | Dec 12 2011 |
| 366 | The Revolution is Hear! Sound Art, the Everyday and Aural Awareness | Florian Hollerweger | Dec 15 2011 |
| 367 | UNCAGED: A novel, ‘telesymbiotic’ approach to bridge the divide between the physical world and the virtual world of computers? | Ralf Nuhn | Jan 13 2012 |
| 368 | Human Resources: Artistic Labour and the Limits of Critique in North American and Western European Art of the 1990s | Bill Roberts | Jan 18 2012 |
| 369 | Envisaging alternatives for practice: A study into the way concepts of sustain-ability can be explored within an Interactive Media Arts practice. | Gavin Sade | Jan 25 2012 |
| 370 | Lingua Extraterrestris: lessons in universal communication or the communication designer's understanding of CETI in science and fiction | Marek Kultys | Feb 1 2012 |
| 371 | Hybrids in Art. Theoretical Perspectives on Art in the Age of Genetics: The transgenic art of Eduardo Kac | Nora Sørensen Vaage | Feb 29 2012 |
| 372 | Mnemovie: Visual Mnemonics for Creative Interactive Video | Michael Leggett | Mar 15 2012 |
| 373 | The Place Of The Viewer's Expansion in Optical Systems: The Use Of Time in Media and its Spatial Applications | Christopher Michael Caporlingua | Mar 18 2012 |
| 374 | A developmental system for organic form synthesis | Benjamin Porter | Mar 19 2012 |
| 375 | in vitero: Exploring an interspecies aesthetic of care | Tarsh Bates | Mar 20 2012 |
| 376 | Inside out: Myself as Diana. Audiovisual and participatory installation. The femenine representation and the relation between public and private. | Patrícia João Barbosa Moreira Reis | Mar 21 2012 |
| 377 | Crafting Synthetics: Interdisciplinary Art and Life's New Design | Britt Wray | Mar 23 2012 |
| 378 | Aesthetics & Art in the Early Development of Human-Computer Interfaces | Nader Salha | Mar 24 2012 |
| 379 | Modularity and Space Juxtaposition: Beyond Site-specificity in Art | On Ni Wan | Mar 27 2012 |
| 380 | Neocybernetic Art or Affect and Conversation in the Animal and the Machine | Guilherme Kujawski | Mar 28 2012 |
| 381 | Superposed states: a mathematical model proposal for 3D games | Marcos Cuzziol | Apr 12 2012 |
| 383 | A (Dis)Connected Twenty-Six: Translation, Codes and Collage in Interactive Design | Jessica S. Barness | May 29 2012 |
| 384 | Tropism-oriented generative design: analogical models for heterogeneous goal integration | Victor Bunster | May 31 2012 |
| 385 | (RE)embodying Biotechnology: Towards the Democratization of Biotechnology Through Embodied Art Practices. | Jennifer Willet | May 31 2012 |
| 386 | Automatic Adaptation of Sound Analysis and Synthesis | Marco Liuni | Jun 2 2012 |
| 387 | The Radio of the Future Redux: Rethinking transmission through experiments in radio art | Anna Friz | Jun 2 2012 |
| 388 | ON BINAURAL SPATIALIZATION AND THE USE OF GPGPU FOR AUDIO PROCESSING | Davide Andrea Mauro | Jun 5 2012 |
| 389 | Re-negotiating social space: Public art installations and interactive experience | Linda Ryan Bengtsson | Jun 8 2012 |
| 390 | Languages,Interactive online museum of man-machine languages | Fosca Salvi | Jun 13 2012 |
| 391 | I Mirabilia, taking care of the emotional life of hospitalized children | Erika Rossi | Jun 13 2012 |
| 392 | The Commercialisation of Space Flight will lead to a New Renaissance | Nigel Banks | Jun 26 2012 |
| 393 | The Construction of Locative Situations: the production of agency in Locative Media art practice. | Conor McGarrigle | Jun 29 2012 |
| 394 | Latency: Music Composition and Technology Solutions for Perception of Synchrony in “ResoNations 2010: An International Telematic Music Concert for Peace” | Sarah Weaver | Jun 29 2012 |
| 395 | Interactive Holographic Cinema | Christopher Albert Portales | Jun 29 2012 |
| 396 | The Symbiosis of Traditional and Digital Techniques | Petya I. Trapcheva-Kwan | Jun 30 2012 |
| 397 | Scorescapes: On Sound, Environment and Sonic Consciousness | Yolande Harris | Jun 30 2012 |
| 398 | Live Electronics in Live Performance: A Performance Practice Emerging from the piano+ used in Free Improvisation. | Sebastian Lexer | Jun 30 2012 |
| 399 | Audience Interactivity and the Concert Hall Audience | Lanier Sammons | Jun 30 2012 |
| 400 | Organic Urbanism and the Implicate Order: Understanding Urban Patterns Through the Geometries of Nature | Maria Rosália Palma Guerreiro | Jul 12 2012 |
| 401 | Towards a sciart prospectus for climate change | Andrew Ormston | Jul 15 2012 |
| 402 | One Part Art: Expanding the Topography of ArtScience in the American Cultural Sector | Whitney Dail | Aug 20 2012 |
| 403 | Fulcra: A Platform for Disaster Relief Assistance by Online Volunteers | Alberto Elizondo | Sep 6 2012 |
| 404 | Screenplay, Unresolved Opposites | Iris Tenkink | Sep 11 2012 |
| 405 | Portfolio of Audiovisual Compositions | Louise Harris | Sep 21 2012 |
| 406 | AURA: Wearable Devices for Non-verbal Communication between Expectant Parents | Marco Righetto | Sep 23 2012 |
| 838 | Risk-Taking for Innovation; Models of Art|Science Interdsciplinary Research Collaboration | Ruth Macdougall | Oct 11 2012 |
| 839 | Scholar: Cognitive Computing Approach for Question Answering | Rivindu Perera | Nov 3 2012 |
| 840 | Algae: Exploring the Intersection of Art and Science | Sara Gevurtz | Nov 3 2012 |
| 841 | Resemblance and Representation | Ben Blumson | Nov 14 2012 |
| 843 | SPACE HABITABILITY. Integrating Human Factors into the Design Process to Enhance Habitability in Long Duration Missions | Irene Lia Schlacht | Nov 25 2012 |
| 845 | to/from. Designing a Non-Verbal Reciprocal Online Connection. Case study of Japan Support Flags. | Satoko Hinomizu | Dec 17 2012 |
| 846 | A SoftGIS Revision: Towards Digitally Mediated Locative Dialogue is Support of Urban Planning | Sara Jacobsen | Dec 17 2012 |
| 847 | Understanding Fukushima. Designing for an embodied interaction with citizen science data | Ben Dromey | Dec 17 2012 |
| 848 | Organic Urbanism and the Implicate Order: Understanding Urban Patterns Through the Geometries of Nature | Maria Rosália Guerrerio | Jan 4 2013 |
| 849 | Utilizing the natural environment for the exhibition of new media | Laura Lee Coles | Jan 18 2013 |
| 851 | 3D Information Place: Architecture for Virtual Place-Making and Information Navigation | Pei-Hsien Hsu | Feb 28 2013 |
| 861 | A Prelude to the Parametric Courante | Guang Zhu | Mar 7 2013 |
| 862 | From function and schema to interaction: the evolution of design language of artifacts | Yuelin Liu | Mar 7 2013 |
| 864 | Affection Research Lab: Affection Stations & The Signal Archive | Salvador Orara | Mar 28 2013 |
| 865 | Photography as the Aesthetic Determination of Difference | Daniel Rubinstein | Apr 1 2013 |
| 866 | Personal Media and Wireless Cities: Towards an Urban Spatial Analysis | Molly Hankwitz, PhD. | Apr 1 2013 |
| 868 | Miró: a flexible expressive audiovisual system for real-time performance & composition | Fernando Enrique Franco Lizarazo | Apr 2 2013 |
| 869 | The Technologies of Creativity: Connections between Art and Science in Contemporaneity | Paz Tornero | Apr 4 2013 |
| 870 | Perspective in Two Dimensions for Computer Graphics | Elodie Fourquet | Apr 5 2013 |
| 873 | Perceptual Moment | Annie Briard | Apr 7 2013 |
| 874 | Fingers In The Outlet: a self-relfexive investigation of 'Bricolage' as a method of engagement in new media arts, through domestic hacking practices | Nathan Oliver Gates | Apr 10 2013 |
| 875 | Eloe: Application of Brain-Computer Interfaces in Visual Creativity | Maxim Safioulline | Apr 12 2013 |
| 877 | Arresting Beauty: The Perfectionist Impulse of Peale's Butterflies, Heade's Hummingbirds, Blaschka's Flowers, and Sandow's Body | Ellery Foutch | Apr 16 2013 |
| 878 | A design-led approach for transferring the embodied skills of puppet stop-motion animators into haptic workspaces | Mariza Dima | Apr 23 2013 |
