| ID | Title | Author | Date Submitted |
| 1 | Design: interface of contemporary culture | Adriana de Souza e Silva | Jun 20 2004 |
| 2 | Burning the Interface : artists' interactive multimedia 1992-1998 | Mike Leggett | Jun 17 2004 |
| 3 | A Procedural Model for the Integration of Physical and Cyberspaces in Architecture | Peter Anders | Jun 18 2004 |
| 4 | Principles of Metadesign: Processes and Levels of Co-Creation in the New Design Space | Elisa Giaccardi | Jun 18 2004 |
| 5 | From Multiuser Environments as (Virtual) Spaces to (Hybrid) Spaces as Multiuser Environments: Nomadic technology devices and hybrid communication places | Adriana de Souza e Silva | Jun 20 2004 |
| 6 | Public News Network: Digital Sampling To Create A Hybrid Media Feed | Jack Stenner | Jun 22 2004 |
| 15 | Phase Space Portraits of the Nuestra Señora delos Dolores of Baclayon | Fatima Lasay | Jul 28 2004 |
| 17 | The Problem of Death in Contemporary Lithuanian Art | Dalia Navikaite | Aug 29 2004 |
| 18 | Sounds You Can Touch | Robert J. Gluck | Aug 29 2004 |
| 19 | DESIGN FOR AN INTERCONNECTED WORLD:
HOME LIGHTING AS AN IMMERSIVE INTERACTIVE SYSTEM | Florian Vollmer | Aug 30 2004 |
| 20 | EMERGENT OBJECTS AT THE HUMAN-COMPUTER INTERFACE (HCI): A CASE STUDY OF ARTISTS’ CYBERNETIC RELATIONSHIPS AND IMPLICATIONS FOR CRITICAL CONSCIOUSNESS | Dr. Sherry Lynn Mayo | Sep 4 2004 |
| 21 | Language, Memoru and Volition: Toward an Aesthetics of Computer Arts | Maureen A. Nappi | Sep 6 2004 |
| 22 | aether: an experiment in the phenomenology of reading | Erik Conrad | Sep 12 2004 |
| 24 | A Critical Examination of “Computer Art”:Its History and Application | Nicholas Lambert | Sep 19 2004 |
| 25 | Dr | Keith Armstrong | Sep 21 2004 |
| 26 | Making Games with LEGO: Exploring the Uses of an Active LEGO Baseplate for Building Computer Games as a Learning Activity | Oliver Moran | Sep 21 2004 |
| 27 | Empyrean : Soft Skinned Space | Dr Melinda Rackham | Sep 22 2004 |
| 30 | Ceremony of Innocence: A Case Study of the Emergent Poetics of Interactive Narrative | Jim Bizzocchi | Oct 4 2004 |
| 41 | Art in the Information Age: Cybernetics, Software, Telematics, and the Conceptual Contributions of Art and Technology to Art History and Aesthetic Theory | Edward Allen Shanken | Oct 13 2004 |
| 42 | Knowledge Visualization: Problems and Principles for Mapping the Knowledge Space | Greg Judelman | Oct 18 2004 |
| 44 | The Application of L-systems and Developmental Models to Computer Art, Animation and Music Synthesis | Jon McCormack | Oct 18 2004 |
| 45 | stories in between: a dissertation | drew davidson | Oct 19 2004 |
| 46 | Erotecha: Electronic Intimacy in the Computer-based Interactive Narrative | Brigid Costello | Oct 25 2004 |
| 47 | Towards an Ecosophical Praxis of New Media Space Design | Dr keith Armstrong | Oct 26 2004 |
| 48 | Punching, Kicking, Falling Back, Falling Down | Kate Chapman | Nov 2 2004 |
| 50 | From Me to Us-a computer generated music installation | Koray Tahiroglu | Nov 4 2004 |
| 51 | De-coding the Digital Revolution: A Critical Approach to the Presentation of the Term in Business Literature at the Turn of the Millennium | Genco GULAN | Nov 5 2004 |
| 52 | The Visual Language of New Media: Towards the Total Surround | Emanuela Zilio | Nov 7 2004 |
| 53 | Virtual Culture and Virtualization of Culture | Daniele Angeli | Nov 9 2004 |
| 55 | The Serendipity of Colliding Multimedia | Markus Norrena | Nov 9 2004 |
| 56 | Good Life Game Prototype. Designing Game Mechanics for Group Interaction. | Markku Lappalainen | Nov 9 2004 |
| 57 | New Images for a New Medium - a case study of SITO Interactive Arts website | Lenara Verle | Nov 12 2004 |
| 58 | The HeUretics of Information: The Death of Rhetoric | Kenneth Feinstein | Nov 12 2004 |
| 59 | ALMOST IMMORTAL: AESTHETIC RITUAL AND BIOLOGICAL MUTATION | Alex Metral | Nov 13 2004 |
| 60 | The Kinesfield: a Study of Movement-based Interactive and Choreographic Art | Gretchen Schiller | Nov 14 2004 |
| 61 | The Father in All of Us | Lisa Nigro | Nov 15 2004 |
| 62 | net_work_ed: Simulated Bodies and Objects Intertwined in Cyberplaces and Art Educational Spaces -- Threads of a Critical Digital Pedagogy | Robert W. Sweeny | Nov 15 2004 |
| 66 | The Father in All of Us | Lisa Nigro | Nov 28 2004 |
| 67 | SALIX: Capturiing the essence, experiencee and the evolution of interpretive data sysytems in exocyborgian entities and interpreting into an artform- giving Salix a voice | john sherman lathram lll | Dec 2 2004 |
| 68 | Internal Networks: Telepathy Meets Technology in the Dream Pod | Camille Baker | Dec 4 2004 |
| 69 | Dr | Dr Garth Paine | Dec 13 2004 |
| 70 | Quantum Feminist Mnemotechnics: The Archival Text, Electronic Narrative and the Limits of Memory | Carolyn G. Guertin | Dec 14 2004 |
| 71 | Participatory Media: Visual Culture in Real Time | Daniel Palmer | Dec 19 2004 |
| 74 | InquirySpace: an Immersive Document in the Style of the 'Opera Reductio' | Kenneth Fields | Jan 3 2005 |
| 75 | In Finity - A dissertation on Inbetween Worlds | A.S. Sajith | Jan 3 2005 |
| 76 | Screen and Frame in Painting in the Digital Era | Dr Melina Berkenwald | Jan 10 2005 |
| 77 | Screen and Frame in Painting in the Digital Era | Dr Melina Berkenwald | Jan 10 2005 |
| 78 | Immersive Ideals / Critical Distances | Joseph Nechvatal | Jan 10 2005 |
| 79 | The Reality Effect of Technoscience | Julian Bleecker | Jan 16 2005 |
| 80 | The R.g.b-project | Jacky Sawatzky | Feb 4 2005 |
| 82 | Hypertext-based Art Education: Implications for Liberatory Learning in High School | Pamela G. Taylor | Feb 27 2005 |
| 84 | Liquid Architectures: Marcos Novak's Territory of Information | Camile A. Silva | Mar 5 2005 |
| 85 | Picasso Seizes Donald Duck | Holly Crawford | Mar 5 2005 |
| 86 | From shadow citizens to teflon stars: cultural responses to the digital actor | Lisa Bode | Mar 5 2005 |
| 87 | Protein Sculptures | Julian Voss-Andreae | Mar 5 2005 |
| 88 | Tools, authoritative practices of text, constitution of the digital literature field | Broudoux | Mar 6 2005 |
| 89 | Electroacoustic Music: Morphological Analysis and Analytical Representation | Pierre Couprie | Mar 6 2005 |
| 90 | Discovering Mixed Reality: inventing design criteria for an action based Mixed Reality | Mette Ramsgard Thomsen | Mar 7 2005 |
| 91 | Emotion und ästhetische Erfahrung. Zur Rezeptionsästhetik der Video-Installationen Buried Secrets von Bill Viola. (Emotion and Aesthetic Experience. The Aesthetic Reception of Bill Viola's Video-Installations Buried Secrets.) | Anne Hamker | Mar 7 2005 |
| 92 | Expanded Media: Interactive and Generative Processes in New Media Art | Sam Woolf | Mar 7 2005 |
| 93 | Reading Engineered Spaces: Bridges as Texts in Modern American Culture | J.N. Nodelman | Mar 7 2005 |
| 94 | La médiation de l'art contemporain | Sylvie Lacerte | Mar 7 2005 |
| 95 | A Software-based Knowledge Management System using Narrative Texts | Thomas Rudy McDaniel | Mar 7 2005 |
| 97 | Aesthetics and Hyper/aesthetics: Rethinking the Senses in Contemporary Media Contexts | Melanie Swalwell | Mar 8 2005 |
| 98 | The Machine that Made Science Art: The Troubled History of Computer Art 1963-1989 | Grant David Taylor | Mar 8 2005 |
| 99 | The Swap-O-Matic | Lina Fenequitio | Mar 10 2005 |
| 100 | Bioglyphs: generating images in collaboration with nature's events | Daro Montag | Mar 11 2005 |
| 101 | Crosswise: Sharing Goals, Sharing Time | Tor de Vries | Mar 11 2005 |
| 102 | On Earthquakes (Ueber Erdbeben - Ein Versuch zur Erweiterung seismologischer Darstellungsweisen) | Florian Dombois | Mar 12 2005 |
| 103 | dr | francis halsall | Mar 12 2005 |
| 104 | Four Quarters of the Earth: A Heuristic-Hermeneutic Approach to World Art | Kathleen I. Kimball | Mar 12 2005 |
| 106 | Exploring experiences of global awareness and holistic overview in interactive environments | Michael Hohl | Mar 13 2005 |
| 109 | Sound Diffusion Using Hand Held, Light Emitting Pen Controllers. | Kenneth Brown | Mar 14 2005 |
| 112 | Transitive: Immersive Visualization of Real Time Network Transfers | Brenda A. Lopez Silva | Mar 14 2005 |
| 113 | Caliban Robot: Artificial Stubbornness Evoked through a Shakespearian Character | Annabel Castro Meagher | Mar 14 2005 |
| 114 | Interactivity and Reproductivity in Early Video Art. An Art Historical Encounter With a New Medium | Maurice Haak | Mar 14 2005 |
| 116 | Fantasy Architecture: The Drawing in a Digital Space | Ann Talley | Mar 15 2005 |
| 117 | Three-dimensional computer animation : Between tradition and artistic innovation | Verónica CAMACHO CAMACHO | Mar 15 2005 |
| 118 | Dark Room Project
| Virginia M Madsen | Mar 15 2005 |
| 119 | The sound of friction: real-time models, playability and musical applications | Stefania Serafin | Mar 18 2005 |
| 121 | Between Mnemo and Locus: architecture of virtual spaces, construction of mental spaces | Anja Pratschke | Mar 22 2005 |
| 123 | Singing cells, art, science and the noise in between | Anne Niemetz | Apr 16 2005 |
| 124 | Light Attack | Daniel Sauter | Apr 17 2005 |
| 126 | RESEARCH ARTS: THE INTERSECTION ART, SCIENCE AND TECHNOLOGY AS A FIELD OF KNOWLEDGE AND ACTION | Stella Veciana | Apr 29 2005 |
| 127 | Relations about Art and Science at Museums and Science Centres from 1969 until 2000 | Maria do Rosário de Assumpção Braga | Apr 29 2005 |
| 135 | Blogviz: Mapping the dynamics of Information Diffusion in Blogspace | Manuel Lima | May 11 2005 |
| 141 | A 21st Century Flâneur : Landscape, Embodiment, and Photography | Meggan L. Gould | May 17 2005 |
| 143 | Cartographies of the Identity: six itineraries to reflect about artistic and communicative practices in the digital era | Gemma San Cornelio Esquerdo | May 27 2005 |
| 144 | The Spatial Narration Model | Blanca Montalvo Gallego | May 30 2005 |
| 145 | A Unitary Model of Intense Aesthetic Experience in Art and Science | Melvin L. Alexenberg | May 31 2005 |
| 146 | Micropolitical Machines | Catherine D'Ignazio | May 31 2005 |
| 147 | Stranger's images: Net Art and an-other representation | Maria Victoria Guglietti | May 31 2005 |
| 148 | Hypermedia Design on the Internet: A semiotic analysis of the on line communication patterns | Marcelo Luis Barbosa dos Santos | May 31 2005 |
| 153 | Designing Multi-sensory Displays for Abstract Data. | Keith V. Nesbitt | Jun 2 2005 |
| 154 | Applications of Generative String Substitution Systems in Computer Music | R. Luke DuBois | Jun 9 2005 |
| 155 | From the Subject of Anatomy to the Anatomy of the Subject | Raphael Cuir | Jun 12 2005 |
| 156 | The role of Internet in the culture emergent from the present world (1945-2003). Interactive installations, Net.Art and hypertexts on line as studies of case | Joan Campàs Montaner | Jun 17 2005 |
| 157 | Virtual space model for industrial design | Gianluca Mura | Jun 27 2005 |
| 158 | Video Activism in the Italian Centri Sociali. A Visual Ethnography | Alessandra Caporale | Jun 30 2005 |
| 159 | Hypermedia Systems: The Creation and Interpretation of Concept-based Art | Dr Dew Harrison | Jul 13 2005 |
| 160 | The Structure, Perception and Generation of Musical Patterns | M. Nyssim Lefford | Jul 20 2005 |
| 161 | It's in Your Eyes - Gaze Based Image Retrieval in Context | Lasse Scherffig | Jul 21 2005 |
| 162 | From the Dark Room. Portuguese Video Art. | Tânia Saraiva | Jul 23 2005 |
| 164 | OPERATING IN MEDIA REALITY - FOR A CRITICAL PRACTICE IN INTERACTIVE IMAGES | Samuel Bianchini | Jul 25 2005 |
| 165 | Excessive Economies: information and symbolic exchange | David Teh | Aug 7 2005 |
| 166 | Coloured Universe and the Russian Avant-Garde.Matiushin on Colour Vision in Stalin's Russia 1932 | Margareta Tillberg | Aug 11 2005 |
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